It's no secret that Bleeding Headphones loves New Jersey punks Ho99o9 more than any new band in 2015. This Summer they made their horrific existence known with storming shows at Reading & Leeds, Visions, Pukkelpop and The Great Escape. The group have no intention of slowing down, announcing a new EP 'Dead Bodies In Lake' set for release a night before Halloween.
As if this wasn't enough, Eaddy and theOGM are bringing their aural assault back to the UK for five shows throughout December. If you're thinking of attending, hold on tight...
Ho99o9 UK Tour dates:
Tickets on sale Weds 23rd September at 10am
www.myticket.co.uk // www.seetickets.com
Mon 07-Dec-15 London 100 Club
Tue 08-Dec-15 Brighton Patterns
Wed 09-Dec-15 Manchester Soup Kitchen
Thu 10-Dec-15 Leeds Brudenell Social Club
Fri 11-Dec-15 Glasgow Poetry Club
Stream Ho99o9's latest track 'Twisted Metal' here
Tuesday, 22 September 2015
Saturday, 12 September 2015
Live Review, Mac DeMarco
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Each song- despite it’s pace or mood, saw moshing and
ignorant pushing. For a crowd made up of around 50% girls it was frustrating
seeing so many people get trampled for such a laid back artist. Personally I
was thrown to the ground and left to fend for myself as other punters
desperately tried to get a barrier position.
As per usual, Mac had the perfect onstage banter. Years of
touring and a natural comic timing makes a DeMarco show exceptionally well
crafted and surreal. Unfortunately, The Roundhouse’s soundsystem was a let
down- making all of the band’s efforts to entertain in between songs fruitless.
The best crowd interaction was a stage dive by DeMarco lasting at least five
minutes to the song ‘Still Together’. He returned to stage, shoe-less and
bedraggled- but with a gappy grin, despite all the set backs he still can’t
help but put on a good show.
Saturday, 5 September 2015
Tyler, The Creator
I don’t like being overly personal in my writing, I prefer the monolithic guard of third person but some things require a first person touch. In the run up to Reading Festival I was extremely excited to watch Tyler, The Creator perform live on the NME/ Radio 1 tent. Then, just a week beforehand he tweeted;
DUE TO CIRCUMSTANCES I WONT BE PLAYING READING, LEEDS, BELFEST AND OTHER SHOWS IN THE UK. SUCKS AND IM SORRY. I LOVE YOU, SAVE THE HORSES -T
— Tyler, The Creator (@fucktyler) August 24, 2015
My friends and I had no clue what the ‘circumstances’ could have been, I assumed it was overbooking or label arguments. When I found out the full story when I got home from the festival I was shocked.
Tyler had been banned from the UK by the home secretary Theresa May, citing his lyrics and branding him a “threat to public order and the public interest”. This was made possible by a set of guidelines of unacceptable behaviours for UK entry, most of the time this has been used to prevent terrorists entering Britain- to my knowledge this has never before been used against a musician. For the next five years- Tyler, The Creator cannot visit the UK.
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As I type men, women and children are dying- trying to find safe haven in Europe. Instead of trying to give any aid- the Home Office are too busy banning rappers from our shores.
When I first listened to Tyler, The Creator’s music I was about 13 years old. At school I wasn’t very popular and I didn’t have much going for me. Like most UK teenagers I was looking for somewhere to belong. Somehow I found a mixtape called Bastard and downloaded it, I knew of OFWGKTA but had never really listened or understood what they were all about. I listened to the tape, then went back to the start and listened again, then went back to the start and listened again. I had never heard rap music crafted with such emotion and anger.
Bastard was recorded by Tyler, The Creator in his late teens. Growing up with only a mother, shipped from school to school and suffering from depression and possibly undiagnosed ADHD. The album is an outpouring of emotions and dark fantasies, with frequent foul language and violent imagery. To someone who often felt comparable emotions, Tyler, The Creator immediately became my idol and an aspirational figure in my life. As a group Odd Future preached creativity and self-motivation, masquerading as satanic skateboarding punks- quickly gathering an army.
Listening to Tyler, The Creator snowballed my interest in music, learning more about the recording and writing process and the importance of artistry. The more I think about it, I sincerely doubt I would be as interested in music today without Bastard. The first review I ever wrote was for Wolf (Tyler’s third LP), and I can contribute certain aspects of my personality to the group- especially my penchant for white socks and Vans. Part of the flair and attractiveness of Tyler’s music is the taboo. It’s a bit embarrassing to tell you that some of my favourite songs are about rape and murder, it’s a bit embarrassing to tell you that one of my prized possessions is a 15cm ruler with a reversed crucifix carved into it and it’s a bit embarrassing to rate being spat on by Tyler, The Creator as one of the coolest things in my life. However I would truly doubt that this has affected my life to such an extent that I am a public nuisance or have “fostered hatred, leading to intercommunity violence”.
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Today the far right group Britain First will walk through Rotherham in an anti-Islamic march. Theresa May has sent no letters to them.
Finding out that the man who seriously affected your life for the better is banned from your own nation is quite upsetting. The next time I have the opportunity to see him in the UK I’ll be 22 years old. Tonight I will pray that these are the dark days, and that the Government will never affect my taste in music again.
Live Review, The Libertines- Reading Festival
There was mimicking galore at the announcement of the three headliners at Reading & Leeds Festival this year but no one frowned at the prospect of welcoming Carl Barat and Pete Doherty back to the main stage. Not only are The Libertines musical legends capable of putting out quality gear to the masses (and into their veins
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The insanity began when lifelong pals Pete and Carl faced away from the crowd and slap out the beginning of ‘Can’t Stand Me Now’. After around five days of heavy, heavy intoxication not one camper at Reading can mutter a sentence without a splutter- during The Libertines’ set you would have no idea. As a whole, the band played with care and respect to their back catalog with well thought out vocals and riffs. The Libertines allowed the crowd to add the anarchy. Throughout the weekend a few well timed flares were let off, but none more appropriate than during Doherty’s messy band of brothers. The sky filled with red smoke as the sounds that saved millennial indie play to a vicious crowd.
Highlights of the evening were the select cuts from Anthems For Doomed Youth. Gunga Din, the glossy fuckabout is electric- clearly doing it’s job for a lead single. You’re My Waterloo, the only moment the band take it easy, was utterly mesmerising as Pete Doherty showed us despite the rehab, prison, addiction, fallouts and the implants, he still has it.
The boys finished their set with a full on version of Don’t Look Back Into The Sun. Drummer Gary (who looks like the main geez from Death Grips) piggy backed Pete Doherty and screamed “Never forget you are all Libertines”. It’s clichéd and filled with bravado, howeve
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