Friday, 30 October 2015

Now That's What I Call Halloween

It's the most wonderful time of the year, not the vacuous and forced joy of December 25th but the purely nasty and freaky holiday of Halloween. Halloween is the only time of the year to celebrate the gruesome side of life, the things that go bump in the night and make parents shake their heads and say something about Americanisation.

With playlists you want to hit the right note, and if you're doing Halloween properly it's all about the darkest and scariest tunes known to man. Whether that be horrorcore rap, frantic dance or some of the creepiest bands possible- Bleeding Headphones is going to take your playlist to the next levels of scary

Gesaffelstein
There’s something horrific about a human only wearing one type of clothing, Steve Jobs had that maladjusted vibe and he only wore turtlenecks and New Balances. French trance pioneer Gesaffelstein is only seen chain smoking wearing a Parisian perfect black suit, in itself that’s horrifying. To make matters worse, Gesaffelstein is known for his industrial dance music that is half-dance half-homicide. You know the drums in Yeezus that make your pants go a shade darker? That’s the production Gesaffelstein.
Key Songs: Obsession, Hellifornia, and Pursuit

Tyler, The Creator
You’ve probably heard of Tyler, The Creator but a lot of the time the Californian rapper’s reputation precedes him. During his formative years (prior to his day-glo Golf Wang line and jazz covers) Tyler wrote deathly serious raps with self produced beats more fitting to a horror movie score than a rap album. The lyrics are bloody and schizophrenic with themes ranging from loitering around skate parks to committing various graphic rapes and murders; it is not for the faint hearted. Perfect for Halloween? Of course it is.
Key Songs: Leather Head, Tron Cat and VCR

Death Grips
Mixing punk attitudes, the gangland ferocity of Hudson Mohawke and the unmistakable rage of MC Ride you have Death Grips. Halloween is all about not caring about what’s wrong and right, there is no such thing as too far. Death Grips definitely subscribe to the policy that there is no too far, they have a song called ‘Have A Sad Cum’ an album called  ‘Niggas On The Moon’ and an LP cover with a pink dildo taking pride and centre. Can you not find the perfect song that goes with your grainy footage of the murders you’ve committed? That’s because you haven’t listened to Death Grips before.
Key Songs: I’ve Seen Footage and Get Got

Simon & Garfunkel
How many words do I need to describe how scary ‘The Sound Of Silence’ is? Just think about what sound silence makes, there you go.

Joy Division
Every party will have someone turn up without a costume and then smirk and say “I’m a serial killer, I’m scary because they look like everyone else”. Most people will smile politely and silently cross them off their mental list of people that they will consider having sex with. There is horror in the ordinary, and that’s the lure of Joy Division. Ian Curtis was a regular man who ate and slept, voted Tory and kept his lyrics in a Tesco’s carrier bag. Yet when you hear the creeping urgency of ‘New Dawn Fades’ and the spurring bassline of ‘Shadowplay’ all intertwined with the deathly lyrics of Curtis, nothing feels human any longer.  There’s horror in the human, Joy Division lets it slip.
Key Songs: She’s Lost Control, New Dawn Fades and Atrocity Exhibition



Saturday, 10 October 2015

Mothers, Swim Deep Review

I remember watching This Morning (or whatever it was called back then) while I was at junior school and I overheard that the 80s were having a revival and that neon leg warmers were the nouveau rage. It was a hideous time in fashion and society in which every boy had to have a Primark tee with neon trim, yuck.

The 80s rebirth is gone. Throughout the country we are seeing the 90s come back with a serious vengeance. Dance music is the coolest, everyone is embracing the 'wavy garm' and some people are still talking about an Oasis reunion. In indie, the decade's influence can be heard all over feel good Superfood and Peace's mismatch of Happy People. If Peace are the Father, and Superfood the Son, then fellow Brum band Swim Deep are undoubtedly the Holy Spirit that complete the Holy Trinity of 90s-ish albums released this year.

Swim Deep have been around for a while, their release Where The Heaven Are We in 2013 was a milky mix of drab pop and indie rock- generally considered a bit of a lame duck. Their new album Mothers takes them on a completely different route, with far more bite and creativity. This bite comes as drugged up, spaced out psychedelic tunes with notes of Primal Scream and The Happy Mondays. On first listen you'll probably say "weird", but when you get to the bones of Mothers it's far out.

The record itself sounds like space. Using larger than life synths you can feel the scale the band wanted, sometimes making you feel like you're Sandra Bullock floating aimlessly. One Great Song And I Could Change The World opens with a bold statement that there's going to be no wetness on Mothers with huge ostentatious vocals over catchy bass lines it's a hard hitter clocking in at just less than four minutes. I wouldn't be surprised if James Cameron rings up Swim Deep to soundtrack Avatar 2 . Heavenly Moment soars with baggy psychedelia and ecstasy laced Fueiho Boogie rips the rule book to shreds with eight minutes of Acid House insanity. In comparison to WTHAW, Swim Deep are growing up shamelessly and without any inhibitions.

In the brief moments that the five piece stay on Earth they disappoint with twee predictability. On songs like Green Conduit and Caremelise the pace hits a road block, as we are asked to listen to lyrics about leprechauns causing wide spread eye rolls.The Happy Mondays pastiche To My Brother questions why Swim Deep would ever slow it down less than a Bez paced shuffle. Some moments can also feel a little overworked and too strange such as the mechanical and sigh-worthy opening to Is There Anybody Out There. 

As a whole, Mothers works due to its sheer courage and creativity. There are little times in music that a band can change their whole style with such success. The jewel in this exciting re-birth is certainly Namaste; encompassing pop melodies, OTT synth lines and more special effects than a JJ Abrams flick you can't help but laugh and widen your eyes at what Swim Deep have achieved. 

Sunday, 4 October 2015

Rat Boy Interview, NSFW

It's late afternoon prior to Rat Boy's steaming show at the Guildford Boileroom. Spirits seem high but so does the tension between staff and Jordan's band. They've already got in trouble for leaving guitar cases across the venue, going through doors they shouldn't and bringing a mini moto and revving it in the beer garden. The tour so far has been riotous, with his show's gaining notoriety for being brutally youthful- complete with moshing, crowd surfing and thought out stage invasions during his final song 'Fake ID'. I spoke to Rat Boy and his band with the intentions of getting to grips with what they were all about, what followed was probably a masterclass is how NOT to do an interview...

What was Miley Cyrus like?
Jordan (aka Rat Boy):Nice

blackhamimages.com
Have you met anyone else that you’ve been starstruck by?
J:I’ve met Alex *points to his friend outside of the band*. I think I met all of Linkin Park back in ’05 and…
Harry: What about when Limp Bizkit came to your house and did that one off DJ set at your house?”
J: oh yeah when I was really ill

Your shows are getting known for being wild, is that purposeful or coincidental?
J: Nah the kids love it man! I don’t know, we have fun, we play and dance around, try to enjoy ourselves. Harry what do you think of the shows?
H: dunno, they’re alright. I was born ready weren’t I?

Anything really bad happened?
H-That girl broke her knee
J:Some girl broke her knee, Harry broke someones finger…

How did that happen?
J:They were being a cunt!
H: It was during Zibra’s set and I jumped in the crowd
Alex: Yeah I warned you about that you know, killin people
J:Was it Leeds where that one kid just fell flat on my pedal board and broke my guitar?
H- There’s been like two panic attacks, had some ambulances, fire engines, riot vans outside the gig at Leeds...
J:It was hardcore, naughty fans smashing up bus stops

You released a new song…
It’s called Wasteman, it has a few new influences in there. Just trying stuff out until something good happens. Got organs, trumpets, bit of moting in the background...

You did a cover of Cherry Bomb, getting the attention of Tyler, The Creator. You a fan?
J: Yeah, love him- got his shoes on *stands up a slams his Tyler, The Creator Vans on the table*

Did your font you use take inspiration from Golf Wang?
J:No *all of them laugh at him* I got it from the Greek yoghurts!
H- That’s a lie. You saw the yoghurts the other day.
J: I… just copied it cos it was the Thrasher font… *to me * You’re a cunt! *The band laugh at him* 

NB: At this point I realise that my intentions of doing a great interview that gets underneath what the band are all about have been splashed, I revert back to someone daring me to play Fuck Marry Kill with Rat Boy to see what happens...

Harry Koisser, Mary Berry, Idris Elba
J: Who’s Mary Keiln? What? *I explain the concept of the game with difficulty*
Harrison  fuck him
Mary Berry  I don’t know who she is, I’d kill her
Idris Elba Who? *band mates explain that Idris Elba plays Luther* oh I’d finger him

The X-Factor judges
J: I’d mot them, I’d mot them all, I love Tulisa
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H- She’s a bit of a sort, have you seen her video? *recreation of that Tulisa video*
J: Nah I like Tulisa, I like her and N Dubz. Do you like N Dubz?

Not really
J: Where’s your Sony Ericsson?

Gandhi, Martin Luther King, Dappy
J: I’d kill them all, no wait I’d marry Dappy.